Petrified Pride – Worship Leadership Beware

Posted May 20, 2013 by Paul Clark Jr
Categories: Leading Worship, Music Ministry, Private Worship, Spiritual formation through singing, Worship Leaders, Worship Pastors, Worship Reminders, Worship theology, Worship thoughts

petrified wood Christians know that God hates pride.  Anyone who studies biblical worship cannot miss the foundational attitude of humility necessary for worship.  Pride and humility are obviously not good bedfellows.  Those of us who plan and lead in worship settings likely try to find ways to encourage an attitude of humility among worshipers.  We may have studied pride so much that we take pride in our understanding of it.  Huh?  I am reminded of the old joke about the author’s book title, “Humility, and How I Attained It.”  Have you ever heard a worship musician or preacher who you suspect may have been that author?

In a day when “perception is reality,” and people have a hunger for authenticity, we may find ourselves working hard to appear authentically humble.   After all, looking and sounding humble might be “effective.”  And on and on goes the utilitarian “worship as means” thinking.  It is a trap of the human condition in our culture.  And I suppose if we are going to be led in acts of worship by someone pretending, it is probably better if they are pretending to display an attitude that actually is meant to be a part of the function for which we are gathered, rather than something that is not.

Of course this kind of motivational core consideration is sort of inside talk.  “Inside” in the sense that Worship Leaders are likely the ones to identify the struggle itself making this a Worship Leader to Worship Leader chat, but also “inside” in the sense that the battle really is going on inside our psyche.  In fact, if we will allow, the struggle itself can serve to remind us that we remain in a fallen world.  Advanced more personally, we are sinners saved by grace.  Our sanctification process is most certainly going to reveal the rough places in our lives that are nothing like Jesus.  Chipping away at pride is likely the toughest of all.  Years of buildup may well yield pride that hardens to the point of being petrified.  As musicians we have been taught to perform for recognition which may lead to prideful spirit.  As preachers we have been trained to speak with attraction with similar results.  Intoxicating adulation so easily leads us to believe we must be doing right.  Bigger crowds?  Larger budgets?  Aren’t these the blessings of Kingdom success?  Next thing we know we are at the point of personal prideful spirit, and lost between its lure and stench.

Our need for the saving grace of the Gospel continues in our “being saved” state every bit as much as in our “has been saved” condition, and must needs persevere into our “shall be saved” state that ushers us into the very presence of our Lord Himself in glory.   In a very personal sense, our internal traps in today’s worship leadership role in evangelical settings may serve the purpose of humbling us in preparation for worship if we will pursue the Spirit in the Word to test our lives against Jesus, not against another performer.  And when we are found wanting, it is the Spirit that can bear witness with our spirit that we are children of God. (Rom 8:16)

Praying scripture privately and publically benefits worshipers including worship music leaders and preachers as we allow the Word to shape our wants, and confront our needs, including rooting out any prideful spirit.  One of the reasons for written liturgy over the centuries of the Church has been to form our prayer.  While we evangelicals steer away from such prescription, there is high value in praying prayers that align squarely with scripture and stretch out to cry the prayers for mercy, protection, salvation, and eternal praise that focus us, not only on ourselves and our own need, but the needs of the world.

THE MIRACLE OF PENTECOST

Posted May 13, 2013 by Paul Clark Jr
Categories: Choir Ministry, Church Music, Congregational Singing, Leading Worship, Music Ministry, Singing Worship, Spiritual formation through singing, Uncategorized, Worship Leaders, Worship Pastors, Worship Reminders, Worship theology, Worship thoughts, Youth Worship

ImageIt’s a miracle!  Several people came to me following a worship service and said how the Lord spoke to their particular need through a song that was sung by congregation, choir, or soloist.  The miraculous part to me was that those expressions implied such a wide variety of specific needs that were completely unrelated to each other.  How could these various needs been addressed through the lyrics and musical expression of the same song?  In some cases I could not, for the life of me, even draw a logical line of thought connecting what the person heard, felt, or sensed and the lyric of the song that touched them so deeply.  It has happened time and time again over my 40 years of ministry.  Perhaps it is the Lord’s way of reminding us that He works in mysterious ways and does what He pleases.

In settings where preaching pastors had the confidence and relationship to do so, I recall them sharing similar stories related to their sermons and the scriptures upon which they were based.  In church staffs where this level of sharing was a weekly occurrence (a healthy practice for staff meetings, by the way), I recall hearing it over and again.  I wondered sometimes if we were all in the same room, singing the same songs, hearing the same sermon, partaking of the same fellowship.  Nevertheless, stories of efficacious word, spoken and sung, were abundant and faith-building.

In one service, the sermon was the dramatic reading of an extended passage of scripture – the story of the woman at the well in John 4.  The choir sang the 1990’s chorus, Come Just As You Are.  The response was unlike anything expected.  The previously divided congregation began to make their way to one another.  The choir’s song became the congregation’s song as they joined in singing, while estranged church members embraced in the aisles, knelt in prayer, embraced in restoration.  The result was restored community, a condition that remained in that church for the next twenty years.  Miracle?  I believe it was the work of the Holy Spirit.  This is the power of gathered worship, just as the Spirit is the sole power at work in mission and ministry of witness and healing.

For some unexplained reason many evangelical churches look past an observance of Pentecost Sunday, celebrating the Sunday when the Holy Spirit descended upon the Apostles.  I will not attempt to presume those reasons, or use this space to contend for its observance at a level of Christmas or Easter, though certainly a case could be made for such ceremony.  Instead, I want to appeal to the mindset and sensitivity of the worship planner – service designer, who will program materials for use in worship this coming Sunday, May 19, 2013, the Sunday this year that the Western Church recognizes as Pentecost Sunday (Eastern Church observes June 3 this year).

Even if this is not the pastor’s sermon topic planned for this coming Sunday, I would encourage prayerful attention to opportunities for the church to engage in recognition of the Spirit’s coming to the Apostles as they met (Acts 2), the need for His Holy Presence among us every time we gather, and the glorious mystery of His evidenced work in and among us when we worship around the WORD and TABLE, as well as in our mission.  The hymn says it well, “All is vain unless the Spirit of the Holy One comes down.” (Brethren We Have Met to Worship) 

Perhaps on this Pentecost Sunday your church can read together Acts 2, or any of many other Acts passages, Romans 5:5; Romans 15:13; 16; 1 Cor 12:3; 2 Cor 13:14; Eph 3:5; Heb 2:4, among other optional passages.  Perhaps your church can sing a song recognizing or even praying to the Spirit:

Brethren, We Have Met to Worship

Breathe on Me

Come, Holy Spirit, Dove Divine

Holy Spirit, Rain Down

Come, Thou, Almighty King

 Or the Getty song (free 4-part setting if you email request), Holy Spirit, Living Breath of God

 

PERFORMANCE, WORSHIP MUSIC, AND MINISTRY IN PEOPLE’S LIVES

Posted May 7, 2013 by Paul Clark Jr
Categories: Uncategorized

PERFORMANCE, WORSHIP MUSIC, AND MINISTRY IN PEOPLE’S LIVES.

EMOTIONS AND WORSHIP

Posted May 6, 2013 by Paul Clark Jr
Categories: Choir Ministry, Church Music, Congregational Singing, Singing Worship, Spiritual formation through singing, Worship Leaders, Worship Pastors, Worship Reminders, Worship theology, Worship thoughts, Youth Worship

Crying black woman I knew the memorial service would likely be emotional.  I knew it might be difficult at times to sing the notes and words that I had sung hundreds of times over the 26 years that I had been part of the male chorus directed by the one who was being memorialized.  I felt somewhat prepared for occasional swells of emotion since I knew the deceased had put his mind and heart into arranging these very pieces we were singing with unparalleled artistry.  Part of my preparation had been to review musical scores where I once again saw nuances crafted into the scores that painted text with astounding mastery.  I thought by reviewing all of that ahead of time I would get my proverbial trips down memory lane over with prior to the memorial service, and thus be ready to just sing through the songs – make the music – as a member of the ensemble without losing it.  Even though I am prone to tear up pretty easily, I was going to be tough.

 

Ah…but then came the actual moments of combining life stories, songs, presence of friends with whom all of these things had been shared, and the dose of stark reality with which we are confronted at memorial services.  Life on this earth is temporal, it has an endpoint.  Occasional humor in relational stories helped shift the mood momentarily, but the hard work of grieving continued to call for our attention.  In my case grieving often leads to weaping.  All things considered, I thought I made it pretty well, contributing the bass part through most all of our songs with a couple of exceptions.  I was even surprised to sing with strength on “Be Still My Soul,” which is so loaded with deeply emotive expressions of faith.  Lost it on “At the Cross,” so I mouthed words while uttering no sounds part of the time, and just let go and sang with tears streaming during the rest.

 

Fast Forward three nights to a concert of worship music in which the music is purposefully arranged by textual content based on a structure of fourfold worship.  The rise and fall of musical drama seems naturally accompanied by emotive response among singers and listeners.  Moments of confessional lament and subsequent pensive mood and some tearful expressions.  Moments of joyous declaration of freedom because of the cross were met with warm smiles and verbal replies.  Applause and spoken “Amens” seem accompanied songs of thanksgiving and praise.  A sending song that anticipates the Lord’s triumphant return was nearly interrupted with the shouting response of a worshiper overcome in the swelling crescendos of proclaimed hope and anticipation, whose shouts at times rose above the soloist and chorus.  As a director this was a first for me.  I was slightly frightened at first, and strangely gratified at once.

 

But enough about me and my emotions.  What I would like to draw attention to from these personal experiences has to do with the power of emotion in worship, and some consideration of its place and our response.

 

First, God has made us emotional beings.  Scripture indicates that this is one manner in which we are created in God’s own image, since it tells us something of God’s anger, joy, sorrow, rejoicing, and more.  Worshiping involves the whole person, and our emotions are integral to worship.  Certainly, musicians recognize music as an emotionally expressive art form.  As indicated above in my own experiences, some emotion just happens in us individually and we face the challenge of self-control vs. release.  The Apostle Paul helps us in 1 Cor 14 when he calls us to worship in a way that edifies the body, and in a way that is “fitting and orderly.” (40)

 

Second, while we can certainly anticipate that some worship experiences will likely be emotional, whether joyous or sorrowful, we in worship ministry must never seek to elicit emotion as the sum and substance of any setting that we call Christian worship.  This deserves its own article, so I must leave it at that.

 

Third, any worship gathering will include people whose emotional inclinations will vary.  Those who pastor in worship settings will do well to assist worshipers in exercising respect for one another in these differences. Romans 12:9 even says we should “outdo one another in showing honor.”  Imagine that environment of the worshiping church.  Philippians 2 paints such a beautiful picture of the people we are to be as “everyone should look not only for his own interests, but also for the interest of others.”  What if we not only make room for the worshiper whose hands are raised at the mention of God’s praise as well as the worshiper whose silent reverence and bowed head indicates his or her humbling in the Lord’s presence.  We do well to consider how we help each understand the other and embrace their contribution to worship as a body.

 

Fourth, healthy worship embraces tension, which naturally leads to varying emotions in worshipers.  As Paul reminded us that he “prays with the spirit but with the mind also; and sings with the spirit but with the mind also,” (1 Cor 14:15) so we must encourage full participation in the exercises of gathered worship.  Full participation is not only indicative here of all people, but all of each person engaging with God in worship – bringing our whole selves to join this community of worship.

 

I would encourage you to contemplate just these few tensions that are inherent in the worship of God.  In doing so, consider the emotional stirring that may come with each side of the tension as well as within the very tension itself.  They are to be embraced, not shunned:

 

  • Joy and sorrow
  • Holy Other and Friend closer than a brother
  • Eternity past and eternity future
  • Old self and new self
  • Sacred place and sending out
  • Personal spirituality and community of faith
  • Local church and Kingdom
  • Steward of the earth and pilgrim passing through
  • Forgiveness and discipline
  • Old Testament and New Testament
  • Vertical and horizontal emphases
  • Participation and Meditation
  • Tradition and Innovation
  • Familiarity and Mystery
  • Word and Symbol
  • Transcendence and intimacy

 

Because worship “does God’s story” as Robert Webber has said throughout his writings, it is little wonder that our emotions are stirred within the wonder of that story.  Certainly, when we are in the throes of discovering our own place in it (the story), we can be overwhelmed as we participate with heart and mind, singing, praying, praising, ministering, serving, expressing hospitality and enjoying fellowship in community.  I often say, “there is no such thing as passionless worship.”  This is not a call for specific emotionalism in worship, but rather simple fact that the very nature of bringing our whole selves implies passion in the engagement with God the Father, Son, and Holy Spirit, and with His bride, the Church.

 

Robert Webber reminded us that worship remembers and anticipates.  Indeed as worship does God’s story it fully embraces the tension of yet and not yet.  I cannot help but realize that even in these two experiences upon which I reflected above, the Memorial Tribute for Buryl Red and the singing of the Centurymen, or the shouting expressions of a worshiper in East Tennessee at a concert of the Tennessee Mens Chorale, these two experiences were characterized by these two directions, one a service marked especially by remembrance and the other by anticipation of what is to come.

SIGNATURE VOICES

Posted April 22, 2013 by Paul Clark Jr
Categories: Choir Ministry, Church Music, Congregational Singing, Leading Worship, Music Ministry, Private Worship, Shared Ministry, Singing Worship, Spiritual formation through singing, Worship Leader Relationships, Worship Leaders, Worship Pastors, Worship Reminders, Worship theology, Worship thoughts, Youth Worship

 

George Beverly Shea How can we begin to measure the lasting effect of the life and work of George Beverly Shea, upon the worship of evangelical churches?  Like Buryl Red, though in very different ways these two giants of church music have left indelible marks on our worship language and means of expression as we proclaim witness in song and as we consider what it means to engage in spiritual worship “in spirit and in truth.” (John 4:24)

At 104 years of age, George Beverly Shea was known as “America’s Gospel Singer,” even though he was born in Canada, and sang in innumerable foreign countries as part of the Billy Graham team, in addition, of course, to singing in every state in the union.  At his memorial service Shea was referred to as the “Gentle Giant,” a fitting moniker given his humble demeanor and self-defacing humor.  Shea, along with Cliff Barrows, made up the principles of the Billy Graham evangelistic team.  His rich baritone stylings were a hallmark of every evangelistic service.  Even in latter years as new artists were included in the crusade programs, crowds waited with anticipation to hear the signature songs, The Love of God, The Wonder of It All, How Great Thou Art, or perhaps his best known musical offering that he scored at age 23, music for the poem by Mrs. Rhea Miller, I’d Rather Have Jesus.

Author, teacher, Reggie Kidd reminds us, “For two millennia, Christians have sung their theology – from catacombs to dorm rooms, and from cathedrals to football stadiums.  Every distinctive shape the faith takes finds its own musical voice.” (With One Voice: Discovering Christ’s Song in Our Worship)  No doubt the faith has been shaped through the years of the American church of the frontier, and the subsequent revivalist movement of which the Graham team provides the apex.  I would go as far as to say that most churches in my own Baptist faith tradition have patterned worship liturgy, at least as much, and many of them more, after the Graham crusades’ programs than by historic patterns of church practice.  Given this influence, we must pause to consider more resolutely not only the form of the crusade team, but as we say, “farewell” to this dear saint, George Beverly Shea, we must consider the consistent message and substance of the song(s) he sang.  It was GOSPEL – not in style, but in content.  It presented life-change, either by testimony, I’d Rather Have Jesus, or by biblical story, Ninety and Nine, or by a kind of spirit of abandonment to worship and wonder, The Love of God, The Wonder of It All, and How Great Thou Art. 

For many years, and some to this day, pastors – preachers – evangelists, looked for a Gospel-singer/soloist to serve as their own George Beverly Shea (combined with Cliff Barrows) as their right hand to flank them in weekly worship in attempts to re-create the crusade atmosphere in their own church.  Though there are multiple issues to be addressed in this ethos that deserve prayerful reflection, still this worship has served to shape much of where we find ourselves today.  For many in my own denomination when you say “Traditional worship,” it is this ambiance that comes to mind.  George Beverly Shea’s influence in this arena is paramount.  His signature voice, literally and figuratively, will remain with us in many ways even as he joins the mighty chorus of Heaven.  One cannot help but wonder if he will compare notes with other preacher – songster teams like John Calvin and Louis Bourgeois, John and Charles Wesley, Dwight Moody and Ira Sankey, or Billy Sunday and Homer Rhodeheaver.

The passing of Buryl Red and now George Beverly Shea is fresh reminder for all who share in ministry through music that we have opportunity to give voice to faith, witness, and worship through song.  While it is extremely rare for individuals to propagate the volume and depth of influence that has grown from the lives of these two men through their profound giftedness, talent, skills, and opportunity, it is, nevertheless, critical that each of us recommit ourselves to see the Christlike characteristics that they demonstrated, and to imitate those.  I will likely never write a Celebrate Life musical, or even an In Remembrance of Me song.  I can, however, seek to serve with the kind of humble spirit and treat persons with the kind of gentle caring that characterized Buryl Red.  My voice will no longer croon the baritone strains with the kind of richness and attractive potency that defined the solo voice of George Beverly Shea.  I can, however, offer my body including every utterred sound as a “living sacrifice as spiritual worship,” prayerful that God will be glorified, and trusting His Spirit to turn little into much for His Kingdom.

You and I are also leaving our signature upon the worship life and language of those with whom we live and serve.  Let us be faithful in making melody with thankful hearts for His glory.

 

 

 

BURYL RED

Posted April 8, 2013 by Paul Clark Jr
Categories: Choir Ministry, Church Music, Congregational Singing, Music Ministry, Singing Worship, Spiritual formation through singing, Worship Leaders, Worship Pastors, Worship Reminders, Worship thoughts, Youth Worship

BurylRed Since the word came that Buryl Red passed away, facebook pages, emails, and phonelines have been ablaze with “Buryl stories,” and reflections of encounters, special moments, and of course, music-making with Buryl.  While Buryl was one to avoid calling attention to himself, something about his soft gentlemanly demeanor coupled with the enormity of his musical prowess made “Buryl stories” stand out as the stuff legends are made of.  His music and musicianship spoke for itself, and left open the necessary space for others to call attention to the greatness therein.  The humility just made the greatness seem all the more. (a lesson much needed in today’s self-grandizing culture that allows us to facebook and tweet experiences as we want them to be seen, whether as they actually are or not)

I have engaged in a few Buryl stories myself, and given that I will join a tribute concert in New York that will include our Centurymen, I feel certain there will be many more days of reminscent tellings.  There are so many things I feel I gleaned from Buryl over 26+ years of singing with the Centurymen under his direction, and also spending rare opportunities to visit in New York, or see him in Nashville.  In the meantime I wanted to at least post partial text from a presentation of the 2004 W. Hines Sims award to Buryl that I had the distinct privilege to prepare thanks to then Southern Baptist Church Music Conference President, Joe Fitzpatrick.

 The individual who receives this award tonight is someone who has demonstrated dramatically what it means to color outside the lines, or to work outside the box, if I may use those clichés.  Within the church music world this individual has served up numerous published and recorded offerings.  Several works are considered landmarks in the church music genre, containing a timely and relevant style, yet seeming to have a timeless quality about their ability to communicate gospel.

 The individual who would be worthy of the W. Hines Sims award would need to be someone who had pioneered to new territory applying the power of music to applicable medium of the day….something that would likely be out of the pervue of the average church musician, yet well within the grasp of the craft and concept of the missional visionary.  To earn the respect and even admiration by those within the professional musician and recording world this person would have to possess impeccable credentials, obvious superior talent, and a genuine transparency.

 The recipient of the Sims award would be expected to have an impact outside the church itself.  The use of giftedness to influence and serve educational development, the entertainment community, and broadcast media helps to elevate awareness and respectability for the whole Christian enterprise.

 This year’s recipient personifies vision without calling attention to himself, or for that matter without calling attention to the vision itself.  Humble in spirit, yet commanding an adherence to a standard of excellence that often exceeds even the finest musician’s understanding.

 Singers, players, co-producers/arrangers and recording engineers who have worked with this man are quite familiar with the phrase, “One more time,” which they all are well aware probably does NOT mean, “ONE more time.”

 He is well-known and respected in his adopted home of New York City, where he has worked with the very best in the fields of recording, music education, and composition.  He has also worked with stars of stage and screen.  Yet, the relationships he seems to cherish the most are with young, developing talents for whom he seems to take delight in providing opportunity that will unleash their budding talents, or with fellow artists who are of diverse background and ethnicity, particularly African-American for whom he has obvious respect and admiration, and finally for his beloved recording and concertizing phenomenon, The Centurymen.  It is the latter that has given me the privilege of relationship with this musical giant.

 I can tell you that for a local church music minister, or a state denominational music & worship leader, or an educator to be walking the streets of New York, catching a cab, or traveling the world with this man is a great honor, but also a lesson in proper perspective.

 I will never forget my first experience riding in a car with my hero and mentor.  We had sung a concert in the church I was serving as Minister of Music.  It was a wonderful night.  As we traveled in the car I fretted over what to say.  After 30 minutes of near total silence other than the hum of the road, he spoke up, “uh……that was great bar-b-q tonight.”  Bar-b-q?  I was traveling with an idol, and we were talking bar-b-q?  For the next 30 minutes we tossed back and forth places we had experienced the southern cuisine.  We compared beef to pork, Texas to Tennessee to his home state of Arkansas.

 Since that time I have come to know him more than what we put in our stomachs, though that is still a subject of which we may speak.  I have had opportunity to observe his interaction with professionals, and commoners, and find him to be a Christian gentlemen in the best sense.  I have had the privilege of introducing him to my family, and seen him take interest in them.  I have been introduced to his family, and have heard his quiet affirmation and sense of pride of their accomplishments.  Perhaps best of all, I have experienced the witness and nuance of his marvelous music.  I discover much about him there, for his quiet and sometimes shy manner is not to be found in the profound musical expression.  There are surprises at every turn.  In making that music together with my fellow Centurymen over the last 17 years of my participation I have found God frequently and often.

 Some of us speak our music to the Church, and call for the saints to proclaim His praise in worship.  This man has also found ways of utilizing the intrinsic mysterious beauty of music itself to speak to the soul of Christians and non-Christians without deserting the essence of both subject and form.  God has granted me the privilege of knowing him, and making music with him.  Because of that my life has been made richer, and so has the musical expression and experience of Baptists and church musicians everywhere.

 Paul Clark, Baptist Church Music Council and former Centurymen President  – Upon the Occasion of Presenting the W. Hines Sims Award to Buryl Red, June 29, 2004

BE PATIENT – EASTER WORSHIP LINGERS ON!

Posted April 1, 2013 by Paul Clark Jr
Categories: Choir Ministry, Church keyboard players, Church Music, Congregational Singing, Leading Worship, Music Ministry, Private Worship, Singing Worship, Spiritual formation through singing, Worship Leaders, Worship Pastors, Worship Reminders, Worship theology, Worship thoughts, Youth Worship

Resurrection Coypel 1700 FLASH!  WOOSH! BAM!  Those words are more fitting to a Superman or Batman cartoon than they are to the impact of the Resurrection of Jesus.  Our modern artistic pallet seems to be rooted in the dramatic that does not “take too long.”  I found myself both amused and disturbed by some critics’ review of the recent movie rendition of Les Miserables, due to the fact that it took 157 minutes.  Guess that is too long to wait for redemption.  Wow!  No wonder we do not have the patience to read the Bible through, or even worse, to cut God slack either because He seemed in history to go long periods of time without miraculous revelation, or because He said Jesus was coming back and here we are ….still waiting.

So, why in the world would we want to extend Easter past one Sunday?  Why would we want to stretch it out 50 days, all the way to Pentecost Sunday, like liturgical Christian calendars say?  I mean, we got it, Jesus was raised from the dead…now let’s move on. Right?  There are many excuses for such an attitude, and we evangelicals can be experts at excuses to avoid hard truth or convicting revelation.  For instance, among leaders I sadly hear the spiritualized stewardship efficiency excuse.  “These are demanding times.  Instead of reveling in the Resurrection, we must get the job done.”  This is the one that leans heavily upon our responsibilities, thus justifying our impatience.  That achievement-oriented thinking starts the Great Commission with “Go ye,” and leaves off the precipitating section that reveals the disciples’ ethos of worship in which the Great Commission was given in the first place; the one that prescribes the only means by which the “going and making” will have any effect.  For Jesus said, “all authority is given to Me (Jesus) in Heaven and on earth.”  (Matt 28:17-20)

One of our biggest problems in present day evangelical Christendom is our impatience.  Seems to me we experience (and foster) this impatience in our dis-ease with taking any time to linger in story, to mine its depths, unveil its art.  To the contrary, we have bastardized beauty, sought utility as highest virtue, and given in to the average videogame attention span, as if  all worshipers have minds the size of a peanut.  What are we saying when we trade Worship Preparation or Prelude with Video Countdown?  What is the message yielded when in our worship we chase away any possibility of silence with extended noodling on acoustic guitar or keyboard?  If we were actually still, what is it we are afraid we might hear?  Could it be that our over-stimulation of worship space and time is actually rooted in our impatience with God?  It surely can seem to communicate that message.

Where does this impatience show up for those in worship leadership?  For preaching pastors it may be the resistance to prescribed or long-visioned preaching plans.  For worship music leaders it can even be reflected in something as mundane as sped-up tempi, or penchant to favor usage of “new” songs in worship.  For worship planners, our present inclination to video testimonies in order to control both what is said and the time within which it is delivered, may well be indicators that we are giving in to efficiency over ethos. 

Why my appeal for more extended view of worship and worship effect in life transformation, and disciple-formation?  Because there is value in the aggregate effect of what the Risen Christ does in our lives and churches through the Holy Spirit over time.  In no way does this view diminish the instantaneous expression of God’s power through whatever means He deems appropriate.   Nor does it in any way belittle the man, woman, parent, or child bowing to accept when “that moment from Jesus a pardon receives.”  Rather, this appeal is that we might more boldly faith God’s work in His time, and help worshipers join in placing ourselves in His time, as opposed to trying to get Him to fit into ours.  Perhaps the live art offering in worship will replace the internet connection of my smartphone.  Perhaps my true joining of communal song will remind my ears, voice, and heart that there is joy in “making melody with thankfulness in heart,” that goes beyond hearing whatever music or song I want.

One of my trusted colleagues has a weekly blog entitled Worship EvaluationThese two words capture the essence of my appeal to you who plan and lead worship, who may either be regular readers, or who may happen upon this article whether by Google or the Holy Spirit, recognizing the latter is capable of using the former.  In Holy contemplation and Spirit-led community, let us give ongoing thoughtful evaluative effort to every aspect of gathered worship.  In this season of Pascheltide or Eastertide, let us continue triumphantly to “raise your joys and triumphs high. Alleluia!”


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